Naari Naari Naduma MurariReview:
By Anrwriting / Senior Film Critic
Rating: 3.25/5
Sharwanand has once again proved that Sankranthi continues to be a favourable season for him. After Shatamanam Bhavati emerged as a defining milestone in his career, the actor returns to the festive arena with Naari Naari Naduma Murari, directed by Ram Abbaraju of Samajavaragamana fame. Arriving without towering expectations, the film banks largely on humour, quirky writing, and energetic performances. Does it succeed in entertaining audiences? Largely, yes.
Story:
Gautham (Sharwanand), fondly nicknamed Potlakayalu, is all set to marry his beloved Nithya (Sakshi Vaidya). After considerable effort, he convinces her father and finalises all wedding arrangements. However, just before the big day, his uncle Ramalingaiah (Sampath) insists on a register marriage. The reason behind this sudden demand lies in Gautham’s father Karthik (Naresh), who has shockingly married again at the age of 59.
When Gautham agrees to the register marriage, an unexpected twist at the registrar’s office turns his life upside down. What is that shock, and how does Gautham navigate the chaos that follows, forms the crux of Naari Naari Naduma Murari. The story thrives not on novelty alone, but on the humorous situations that emerge from a socially sensitive yet cleverly handled premise.
Performances:
Naresh is undoubtedly the show-stealer. With impeccable comic timing and a well-written character, he dominates the narrative whenever he appears on screen. His punch dialogues and situational comedy work effortlessly, making his role one of the film’s biggest strengths.
Sharwanand appears refreshingly energetic, reminiscent of his Run Raja Run days. He balances humour and emotion effectively, using his expressions to generate consistent laughs while also anchoring the emotional moments convincingly. His performance brings a youthful charm that keeps the film engaging.
Sakshi Vaidya, despite her recent films not yielding desired results, fits comfortably into the role of Nithya. Her natural reactions in comedy sequences and her restrained performance deserve appreciation. With better script choices, she certainly has potential for a promising career.
Samyuktha Menon, though limited by screen time, makes a noticeable impact. Among the supporting cast, Sudarshan and Vennela Kishore deliver laugh-out-loud moments, while Sampath Raj and Getup Srinu’s comedy combinations land well. Siri Hanumanth takes a calculated risk with a role that has no dialogues, yet it is likely to earn her respect for its boldness. Satya’s intermittent appearances act as perfect fillers whenever the narrative threatens to slow down, ensuring the humour remains intact.
Technical Aspects:
The writing team Ram Abbaraju, Bhanu Bogavarapu, and Nandu Savirigana deserve special praise. Not only is the core point refreshingly different, but the way it is developed is equally inventive. Writing a character like Naresh’s without inviting discomfort or controversy is no easy task, and the team handles it with remarkable sensitivity.
Ram Abbaraju’s direction stands out in scene composition and screenplay execution. Clever spoofs, including playful references to familiar Telugu film tropes, add to the entertainment value. The second half is racier than the first, with emotions and comedy blending seamlessly. With this film, Abbaraju consolidates his position as a director who understands the pulse of family audiences.
While the cinematography, art direction, and production design have minor inconsistencies, the strong comedy largely masks these flaws. Vishal Chandrasekhar’s songs fail to leave a lasting impression, emerging as the film’s primary drawback. However, his background score effectively elevates comedic moments. Ravi Shankar’s editing ensures smooth transitions between past and present timelines, avoiding confusion and maintaining narrative clarity.
Verdict:
Films that arrive without hype and manage to deliver genuine laughter often leave a stronger impact, and Naari Naari Naduma Murari fits that category well. With Ram Abbaraju’s sharp writing and direction, Naresh’s standout performance, and Sharwanand’s infectious energy, the film succeeds as a wholesome entertainer.
In the Sankranthi race, it comfortably positions itself as a strong second choice after Mana Shankara Varaprasad Garu. With smarter marketing and wider promotion, the film has all the ingredients to emerge as a festive winner. Light-hearted, humorous, and family-friendly, Naari Naari Naduma Murari is an enjoyable watch that delivers exactly what it promises clean entertainment.
